**This special edition of the album comes with a bonus DVD which includes behind the scenes footage and interviews with the band**
Heavy metal icons Ronnie James Dio, Tony Iommi, Geezer Butler, and Vinny Appice release a brand new album on April 27 - their first under the moniker Heaven & Hell, with Black Sabbath's last studio album having been 17 years ago!
After finishing several heralded world tours as Heaven & Hell last summer, the influential band were tighter than ever before, both musically and personally. Agreeing that it would be a shame to stop making music together at tour’s end, the quartet began writing, first in England at Iommi’s home studio and later in Los Angeles at Dio’s studio. “The band had gotten too good to just walk away,” Dio says. “We wanted to show people that we were still capable of giving them new music that measured up to what we’d done in the past.”
With that goal in mind, the band again converged on Rockfield Studios in Wales last winter, the same place they used 17 years earlier to record their last album, Dehumanizer. The result is the long awaited new album The Devil You Know, featuring 10 soon-to-be-classic tracks from the Dio-fronted version of Black Sabbath.
Each song uncoils with a three-dimensional fullness thanks to a macabre mix of snarling riffs, bone-crushing tempos, and evocative tales from the dark side. While the album is definitely steeped in hellfire and brimstone, Appice notes that its black clouds are lined with gleaming melodies that give the music depth. “The contrast makes all the emotions and sounds feel even more intense.” It took less than three weeks to finish the album, with most of the songs only needing a couple of takes. “It was good to play them live in the studio. It keeps you on edge,” Iommi says. “I mean, somewhere along the line we were gonna have to play them live; might as well start in the studio.” Butler adds: “We’ve learned from the past that you can kill a song doing it over and over. The first Sabbath albums were done in two or three days. Technically they weren’t great, but vibe-wise they were great. If you capture that feeling, that’s all you need.”
Bible Black, the epic first single, begins with Iommi on acoustic guitar behind Dio’s plaintive wail before the rhythm shifts to a menacing stomp for the rest of this dark tale about a book of sinister scriptures. One of the first songs written for the album, Dio says it established a tone for the rest of the album. “When you start off with a blockbuster like that, it makes the rest of the album so much easier because it gives you a benchmark to measure the other songs against.”
Iommi proves he hasn’t lost the ability to inspire six-string envy, unleashing riffs like a pack of rabid hellhounds on Atom And Evil, Fear, Neverwhere, and Eating The Cannibals, a tune about doing more than biting the hand that feeds. Butler and Appice slow the pace while ramping up the intensity on Follow The Tears and Double The Pain and Breaking Into Heaven, the latter diverging from its glacial procession for Dio’s majestic chorus about fallen angels planning an attack on paradise.
When the songs were finished, Dio says they marveled at their own brutal efficiency. “We almost felt guilty to tell you the truth. We looked at each other at one point and said: ‘Is it really done? I can’t do it any better. Can you? No. Then I guess were done’,” he recalls laughing. “At the end of the day, I think what separates this band is that we know who we are. We want to do one thing well and not try to be something we’re not.”